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Workflows 5 min read

Converting Between m4a, WAV, and FLAC

Direction decides quality: lossless-to-lossless is moving house, lossy-to-lossly is a photocopy of a photocopy. Know which family your file and target belong to.

Sort the families

Lossless: WAV, FLAC, ALAC — interconvert with zero loss; FLAC is half the size of WAV.

Lossy: MP3, M4A(AAC), OGG, Opus — each conversion discards more. Crossing over: lossless→lossy is normal publishing; lossy→lossless just repackages old data in a bigger box.

Three frequent scenarios

Legacy device wants MP3: convert to 192+ kbps.

Editor wants WAV/FLAC: convert MP3 to WAV to avoid another lossy generation inside the project.

Phone storage tight: FLAC to 256 kbps AAC halves size, indistinguishable to most ears.

Bitrate picks

MP3 archive 192-320 kbps; AAC 160-256 kbps matches quality at smaller size; speech 64-96 kbps. Below 128 kbps music sounds muffled on decent headphones.

Frequently asked questions